A satirist takes on the star of the millennium

jug-suraiya amitabh_bachchan jug-suraiya amitabh_bachchan

amitabh_bachchan jug-suraiya amitabh_bachchan jug-suraiya

The reverberations of Amitabh Bachchan‘s blog comments on the Academy Award-winning movie Slumdog Millionaire are now being felt in the “cesspool” of Indian journalism.

In his reaction to the movie, Bachchan wrote in January:

“If SM projects India as [a] third-world, dirty, underbelly developing nation and causes pain and disgust among nationalists and patriots, let it be known that a murky underbelly exists and thrives even in the most developed nations.”

That prompted a column in The Times of India by its in-house satirist Jug Suraiya on March 2.

Suraiya wrote that the reason people like Bachchan were angry with SM was not because it showed the world how pitifully poor India was, but because it revealed how culpable all of us were in the “continuance of poverty”.

“The real Slumdog divide is not between the haves and the have-nots; it’s between the hopers and the hope-nots: those who hope to cure the disease of poverty by first of all recognising its reality, and those who, dismissing it as a hopeless case, would bury it alive by pretending it didn’t exist.”

All very harmless, boilerplate stuff, but a month later, on April 3, Bachchan chose to respond to Suraiya with a long rejoinder that attacked the journalist.

I accuse the journalist Jug Suraiya of failing his professional ethical code of conduct by means of wilful error in the collection of facts…. He should be thoroughly ashamed of himself, not only as a professional journalist, but as a human being too. Mere opinion and ill-supported prejudice are contemptible in both species.

“My blog did not ‘spark off the current round of controversy on India’s poverty’… Nor am I ashamed of anything about my country. I may be highly critical in judgement, as any citizen of any nation should be, of the society to which I hold allegiance. In this light, I do not find that material poverty in India is ‘a terrible family secret’ as Jug Suraiya alleges.”

Now, Suraiya has hit back in the latest issue of Magna Carta, the in-house newsletter of the Magna group of publications, which had carried Bachchan’s rejoinder.

(Magna owns the movie magazine Stardust, which led a 15-year-long boycott of Bachchan at the prime of his career.)

In a letter addressed to the Magna group’s proprietor Nari Hira, Jug Suraiya writes:

“The newsletter said there was an ‘eerie silence’ from the press to Bachchan’s rejoinder. This is not quite true. The Guardian newspaper, which Bachchan had cited along with my column, has I am told done a detialed rejoinder to his rejoinder.

“In my case, I did not choose so much to maintain an ‘eerie silence’ as to exercise my option of fastidious disdain: I hold Bachchan beneath my contempt and shall not dignify him with an answer to his rantings (which, I am told, are written for him by an ex-journalist hack).”

Suraiya recounts meeting Bachchan years ago in Calcutta. He says he greatly enjoyed his performances and complimented him on them.

“Since then, of course, he has become an international celebrity who uses his iconic status to endose any and all products from gutka paan masala to cement, cars to suiting. There is a word for such indiscriminate commercial promiscuity. I leave it to you to figure out what it is.

“This together with his much-publicised ritualised religiosity makes him an object of scorn for me, all the more so in that he is, regettably, a role model for so many people of all ages, in India and elsewhere.”

Photograph: courtesy The Times of India

Also read: How Big B has pushed India to a regressive low

Before the slumdogs, the mahout millionaire